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Sam Jinks‘ sculptural work sustains the briefest and often most private moments in time. Emotional vulnerability is both the subject and result of his work and moves audiences in a way not expected from contemporary art. For Jinks, his works are not literal representations, but are based on the combination of different stages of life. He includes elements both old and new; an antique style plinth supports an up-scaled embryo and in another work a couple lying together presents an allegory using the the dog-headed figure, describing the irrational aspects of human relationships. (via Sullivan+Strumpf)”